In the forward of this new edition, David Peace describes how, shortly after submitting his latest crime noir manuscript in 1977, Manchette realised that his editors didn’t like it very much. In anger at their reaction, he requested it be published outside the legendary “Serie Noir” and wrote “This negative response clearly shows what I should never forget: I alone understand what I do.” Manchette’s confidence in Fatale is not without foundation. I haven’t read any other “Serie Noir” or Manchette books, but this one hits hard in its 112 pages. In fact it feels like a 12 round bout stuffed into 3 rounds, climaxing with a KO; it’s a mini dynamo.
Provincial politics can be corrupt and nepotistic and if you are an outsider it is difficult to gain access and favour, but Aimee Joubert (a woman with dodgy motives) capitalises on the inevitable secrets in Bléville’s society and outwits the sweaty bourgeois fat-cats by extorting huge amounts of cash in a spectacular double bluff which involves her offering her services as an assassin. She appears from nowhere, is disciplined in her research and training, infiltrates the community with her charm and good looks, then smacks the crooked officials between the eyes during a dizzyingly violent final scene. I rooted for her from the first page when she confronts a woodland hunter in a spectacular and astonishing fashion. This is more than just a cruel melodrama though, there is a political commentary undercurrent surging through this perfectly formed piece of crime fiction. I love it when a book surprises me like this and it only took a couple of hours to read.
Serpent’s Tail have just released this edition along with several other world literature titles, all with similarly retro pulp jacket artwork and I found it at my wonderful local library.
11 sentences – must try harder!